In Autumn

oslo

The recent silence on this blog reflects industry in other areas of my life, so there is a lot for me to share over the coming weeks.

Last week, discussing Translating Myth at the book’s launch at UEA (of which more later), the question of the relation of myth to history raised the spectre of ‘post-truth’ politics. This new coinage seems to me an unnecessary euphemism for propaganda, and some commentators have noted the danger of its implicit assumption that politics was formerly the realm of truth and fact.

In the wake of Trump, Yeats’s ‘The Second Coming’ has frequently been invoked to express the end-times horror felt by many. The fear and revulsion is justified. Yet, furthermore, the election has exposed the persistence of political violence by bringing it home to the West, rather than primarily exporting it, as Obama and his predecessors have done. So, to Yeats, I add Rimbaud. I’ve been reading him again lately after listening to Britten’s setting of Les Illuminations (I like the recording with Sandrine Piau). What Rimbaud had to say in the 1870s about democracy, the military-industrial complex, and the absence of truth tells us that there is little new in political debate today.

democratie
Arthur Rimbaud, ‘Démocratie’, trans. Oliver Bernard
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